Assignment # 1
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| A daguerreotype photo from U.S in the 19th century. |
Portraits in photography, both in its primitive and contemporary stages,
shared many aspects in common but were distinguishable as well. The first known portraits were the daguerreotype.
The daguerreotype was a process in itself and was invented by Louis-Jacques-Mandé
Daguerre , a romantic, French painter on January 7, 1839. The daguerreotype
consisted of a image depicted on a silver plate of copper. One can see the main
difference between portraits in the
early days of photography and today's portraits by making the distinction that
portraits were paintings to begin with, as opposed to the modern day were
portraits can be photos of high-definition quality. Color and quality are also major differences. Portraits before were black and white compared to today, where portraits are much more vivid and can be multicolored. In the early days, these
portraits took a considerable amount of time to develop as they were made by
hand. In today's world of photography, photos can be developed in a matter of
seconds. This is an immense difference. Another significant difference was the accessibility
factor. In the early days of photography, portraits were available only to the
elite if you will. Lawyers, doctors, politicians and celebrities were
capable of purchasing portraits such as physionotrace portraits as they
required a deposit of half the payment in advance and had to buy a minimum of
two portraits. It's quite palpable that you had to have purchasing power in
order to buy these portraits and not everyone in the 1800's had the means to do
so. This is a stark contrast to today's world of photography where just about
anyone can buy a portrait or better yet, make a portrait themselves by shooting
their own photos.
With that being said, the main aspect that portraits in the
early days and modern day had which were similar are; capturing the essence of
the subject. Both time periods share this similarity as portraits before and
now each had a purpose. People wanted to and will always want to feel
important. Portraits provide that sense of importance as they convey to the
public the emotions and personality of a person. Portraits were a means of
expressing one's self and people flocked to miniatures and physionotracists
to have their portrait developed so they can have an avenue of expression. Just
like how people take photos of themselves or have photographers capture an
image of them, they feel the need to express themselves. These are similarities
that the early days and modern days of photography shared.
2.
Who was
the photographer and who was the subject of photographs in the past and today?
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| A physionotrace portrait of Pierre Gaveaux by Edme Quenedey, 1821. |
In the early days of photography, the photographers
were the painters , engravers and silhouette cutters. It could also be seen as
a team working together. For example, in the miniature portrait the artistic skill
and ability of the painter was needed to define the photograph and the
silhouette cutter had to have manual skill, in order to develop the portrait. They
would be responsible for capturing images of the subject either by drawing,
painting or tracing their image through devices. The subjects of these photographers
in the past could be separated into two classes. The first belonged to the
miniatures. They made portraits available to most people because their prices
would diminish due to the level of competition. Because photography gained such
a high level of popularity, miniature portraits were discounted in price in
order for the photographers to make a profit. In the second class, physionotracists
made portraits available much more quicker because of the invention of physionotrace.
These portraits were most sought after by celebrities of France because of
their new found combination of less money and time spent. For a good price and
for a considerably less amount of time (as opposed to miniatures), the
production of their portraits sat well with the celebrities. For this reason,
they were not the only class albeit they were the most common subjects of the physionotracists
work.
It is also important to note subjects of photography were lawyers,
doctors, industrialists and politicians and they were catered to by luxurious
studios such as Mathew Brady's of New York. These subjects were willing to pay
a high price for luxury. At the same time, studios belonging to the likes of
Edward Anthony would cater to a larger clientele base in order to increase that
very same clientele and circumvent the social factor of the time by making
portraits considerably less cheaper. Moreover, the photographers of today can
be either professionals such as English photographer David Bailey or anyone who
has access to a camera. They have the ability to capture a photo by just
focusing the camera on a subject and taking that photo. The subjects of
photographs in this day are just about anyone or anything for that matter. Subjects
today can range from people such as Prime Minister Stephan Harper,
free-standing structures such as the CN Tower, and nature such as Algonquin
Park.
3. What was the impact of technology on the portraits
in the past and today?
The impact which technology had on portraits of the past was immense. Portraits
began as daguerreotypes, then miniatures and ultimately progressed into physionotrace.
Photographers gained more knowledge in the latter years of the 19th century and
this led to the development of new methods of developing portraits. Technology
was of utmost significance because these new advances led to portraits being
developed more quickly and allowed photographers to make great profits. The
physionotrace, for instance, made miniatures obsolete because of the technological
advancement made possible by the principle of the pantograph. The pantograph
mechanically reproduced a drawing or diagram. The invention of the
physionotrace was such a break-through that the physionotracist did not require
much skill, he need only to outline the figure of the subject and engrave it to
a metal plate. These technological advancements made it possible for
photographers to service a larger clientele base and turn a bigger profit, as
portraits were developed much more efficiently and quickly, as a result.
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| Technology has given us the digital camera in today's world. |
In
regards to the impact of technology on portraits today, that too has made the
development of portraits even much more quicker and efficient. From photographic
film to digital photography, portraits are now developed instantly. The
technology used in photographic film was the exposure of light to a sheet of
plastic, coated with light sensitive emulsion. When the film was exposed to
light or electromagnetic radiation, it depicted an image. Technology, however,
led to even more advancements in that digital photography was introduced.
Digital photography is made possible by digital imaging. Digital photography is
so advanced now that images can be stored and displayed on the digital camera.
Portraits can even be printed now very easily via a computer. Technology has
made it possible for anyone to capture photos.
